POETRY AS INSURGENT ART
A prominent voice of the wide-open poetry movement that began in the 1950s, Lawrence has written poetry, translation, fiction, theater, art criticism, film narration, and essays. Often concerned with politics and social issues, Ferlinghetti’s poetry countered the literary elite's definition of art and the artist's role in the world.
In 1953, with Peter D. Martin, he founded City Lights Bookstore, the first all-paperbound bookshop in the country, and by 1955 he had launched the City Lights publishing house.
The bookstore has served for half a century as a meeting place for writers, artists, and intellectuals. City Lights Publishers began with the Pocket Poets Series, through which Ferlinghetti aimed to create an international, dissident ferment. His publication of Allen Ginsberg’s Howl & Other Poems in 1956 led to his arrest on obscenity charges, and the trial that followed drew national attention to the San Francisco Renaissance and Beat movement writers. (He was overwhelmingly supported by prestigious literary and academic figures, and was acquitted.) This landmark First Amendment case established a legal precedent for the publication of controversial work with redeeming social importance. (taken from www.citylights.com)
Lawrence has given us permission to quote from his long title poem from his 2007 boook, ¨POETRY AS INSURGENT ART", lyrical literary activism:
I am singling you through the
flames.
The North Pole is not where it used to be.
Nemesis is knocking at the door.
What are poets for, in such an age?
What is the use of poetry?
poetry to save it.
If you would be a poet, create works
capable of answering the challenge
of apocalyptic times, even if this
means sounding apocalyptic.
are Mark Twain, you are Emily
Dickinson and Edna St. Vincent
Millay, you are Neruda and Maya-
kovsky and Pasolini, you are an
American or a non-American, you can
conquer the conquerors with words.
newspapers. Be a reporter from
outer space, filing dispatches to
some supreme managing editor who
believes in full disclosure and has a
low tolerence for bullshit.
with all manner of poetic, erotic
broken grammers, ecstatic religions,
heathen outpourings speaking in
tongues, bombast public sppech,
automatic scribblings, surrealist sens-
ings, streams of consciousness,
found sounds, rants and raves—to
create your own limbic, your own
underlying voice, your ur voice.
sit there. Poetry is not a sedentary
occupation, not a ¨take your seat¨
practice. Stand up and let them
have it.
...
way for mortals to inhabit the earth.
language anyone can understand.
truths that the world can´t deny.
...
chaos of the living.
...
Question everything and everyone,
including Socrates, who questioned
everything.
...
Be subversive, constantly question-
ing reality and the status quo.
way that there´s no further need to
be a dissident.
ation.
...
Your poems must be more than
want ads for broken hearts.
...
Words can save you where guns
can´t.
...
Give a voice to the tongueless street.
...
See the rose through world-colored
glasses.
...
Be naive, non-cynical, as if you had
just landed on earth, astonished by
what you have fallen upon.
...
Dig folk singers who are the true
singing poets of yesterday and today.
...
Think subjectively, write objectively.
...
Like a field of sunflowers, a poem
should not have to be explained.
...
Haunt bookstores.
...
Cultivate dissidence and critical
thinking. First thought may be worst
thought.
...
earth.
...
Don´t let them tell you poetry is a
neurosis that some people never out-
grow.
...
vant in dark times.
...
Make new wine out of the grapes of
wrath.
...
Be the gadfly of the state and also its
firefly.
Que viva City Lights!
Labels: Lawrence Ferlinghetti

0 Comments:
Post a Comment
Links to this post:
Create a Link
<< Home